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I'm trying to find a balance between building vocabulary for both feedback solo and feedback with conventional playing (feedback harmony? feedback duo?). I spent about have my practice session on circular breathing various melodic patterns over feedback drones - mainly A and B. The rest of the time, I was working on some A min arpeggio figures and worked out this descending bassline.
This division of material allowed me to rest my chops once they got tired, and also give my arms and fingers a break from the tiring and complex feedback fingerings. This will likely be the model going forward.